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How to Read a Book: The Classic Guide to Intelligent Reading Paperback – August 15, 1972
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A CNN Book of the Week: “Explains not just why we should read books, but how we should read them. It's masterfully done.” –Farheed Zakaria
Originally published in 1940, this book is a rare phenomenon, a living classic that introduces and elucidates the various levels of reading and how to achieve them—from elementary reading, through systematic skimming and inspectional reading, to speed reading. Readers will learn when and how to “judge a book by its cover,” and also how to X-ray it, read critically, and extract the author’s message from the text.
Also included is instruction in the different techniques that work best for reading particular genres, such as practical books, imaginative literature, plays, poetry, history, science and mathematics, philosophy and social science works.
Finally, the authors offer a recommended reading list and supply reading tests you can use measure your own progress in reading skills, comprehension, and speed.
- Print length426 pages
- LanguageEnglish
- Publication dateAugust 15, 1972
- Dimensions5.31 x 1.12 x 8.25 inches
- ISBN-100671212095
- ISBN-13978-0671212094
The chilling story of the abduction of two teenagers, their escape, and the dark secrets that, years later, bring them back to the scene of the crime. | Learn more
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Editorial Reviews
Review
"It shows concretely how the serious work of proper reading may be accomplished and how much it may yield in the way of instruction and delight." ― The New Yorker
"'There is the book; and here is your mind.' Adler and Van Doren's suggestions on how to connect the two will make you nostalgic for a slower, more earnest, less trivial time." -- Anne Fadiman
About the Author
Dr. Charles Van Doren earned advanced degrees in both literature and mathematics from Columbia University, where he later taught English and was the Assistant Director of the Institute for Philosophical Research. He also worked for Encyclopedia Britannica in Chicago.
Excerpt. © Reprinted by permission. All rights reserved.
THE ACTIVITY AND ART OF READING
This is a book for readers and for those who wish to become readers. Particularly, it is for readers of books. Even more particularly, it is for those whose main purpose in reading books is to gain increased understanding.
By "readers" we mean people who are still accustomed, as almost every literate and intelligent person used to be, to gain a large share of their information about and their understanding of the world from the written word. Not all of it, of course; even in the days before radio and television, a certain amount of information and understanding was acquired through spoken words and through observation. But for intelligent and curious people that was never enough. They knew that they had to read too, and they did read.
There is some feeling nowadays that reading is not as necessary as it once was. Radio and especially television have taken over many of the functions once served by print, just as photography has taken over functions once served by painting and other graphic arts. Admittedly, television serves some of these functions extremely well; the visual communication of news events, for example, has enormous impact. The ability of radio to give us information while we are engaged in doing other things -- for instance, driving a caris remarkable, and a great saving of time. But it may be seriously questioned whether the advent of modern communications media has much enhanced our understanding of the world in which we live.
Perhaps we know more about the world than we used to, and insofar as knowledge is prerequisite to understanding, that is all to the good. But knowledge is not as much a prerequisite to understanding as is commonly supposed. We do not have to know everything about something in order to understand it; too many facts are often as much of an obstacle to understanding as too few. There is a sense in which we moderns are inundated with facts to the detriment of understanding.
One of the reasons for this situation is that the very media we have mentioned are so designed as to make thinking seem unnecessary (though this is only an appearance). The packaging of intellectual positions and views is one of the most active enterprises of some of the best minds of our day. The viewer of television, the listener to radio, the reader of magazines, is presented with a whole complex of elements -- all the way from ingenious rhetoric to carefully selected data and statistics -- to make it easy for him to "make up his own mind" with the minimum of difficulty and effort. But the packaging is often done so effectively that the viewer, listener, or reader does not make up his own mind at all. Instead, he inserts a packaged opinion into his mind, somewhat like inserting a cassette into a cassette player. He then pushes a button and "plays back" the opinion whenever it seems appropriate to do so. He has performed acceptably without having had to think.
Active Reading
As we said at the beginning, we will be principally concerned in these pages with the development of skill in reading books; but the rules of reading that, if followed and practiced, develop such skill can be applied also to printed material in general, to any type of reading matter -- to newspapers, magazines, pamphlets, articles, tracts, even advertisements.
Since reading of any sort is an activity, all reading must to some degree be active. Completely passive reading is impossible; we cannot read with our eyes immobilized and our minds asleep. Hence when we contrast active with passive reading, our purpose is, first, to call attention to the fact that reading can be more or less active, and second, to point out that the more active the reading the better. One reader is better than another in proportion as he is capable of a greater range of activity in reading and exerts more effort. He is better if he demands more of himself and of the text before him.
Though, strictly speaking, there can be no absolutely passive reading, many people think that, as compared with writing and speaking, which are obviously active undertakings, reading and listening are entirely passive. The writer or speaker must put out some effort, but no work need be done by the reader or listener. Reading and listening are thought of as receiving communication from someone who is actively engaged in giving or sending it. The mistake here is to suppose that receiving communication is like receiving a blow or a legacy or a judgment from the court. On the contrary, the reader or listener is much more like the catcher in a game of baseball.
Catching the ball is just as much an activity as pitching or hitting it. The pitcher or batter is the sender in the sense that his activity initiates the motion of the ball. The catcher or fielder is the receiver in the sense that his activity terminates it. Both are active, though the activities are different. If anything is passive, it is the ball. It is the inert thing that is put in motion or stopped, whereas the players are active, moving to pitch, hit, or catch. The analogy with writing and reading is almost perfect. The thing that is written and read, like the ball, is the passive object common to the two activities that begin and terminate the process.
We can take this analogy a step further. The art of catching is the skill of catching every kind of pitch -- fast bails and curves, changeups and knucklers. Similarly, the art of reading is the skill of catching every sort of communication as well as possible.
It is noteworthy that the pitcher and catcher are successful only to the extent that they cooperate. The relation of writer and reader is similar. The writer isn't trying not to be caught, although it sometimes seems so. Successful communication occurs in any case where what the writer wanted to have received finds its way into the reader's possession. The writer's skill and the reader's skill converge upon a common end.
Admittedly, writers vary, just as pitchers do. Some writers have excellent "control"; they know exactly what they want to convey, and they convey it precisely and accurately. Other things being equal, they are easier to "catch" than a "wild" writer without "control."
There is one respect in which the analogy breaks down. The ball is a simple unit. It is either completely caught or not. A piece of writing, however, is a complex object. It can be received more or less completely, all the way from very little of what the writer intended to the whole of it. The amount the reader "catches" will usually depend on the amount of activity he puts into the process, as well as upon the skill with which he executes the different mental acts involved.
What does active reading entail? We will return to this question many times in this book. For the moment, it suffices to say that, given the same thing to read, one person reads it better than another, first, by reading it more actively, and second, by performing each of the acts involved more skillfully. These two things are related. Reading is a complex activity, just as writing is. It consists of a large number of separate acts, all of which must be performed in a good reading. The person who can perform more of them is better able to read.
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The Goals of Reading:
Reading for Information and Reading for Understanding
You have a mind. Now let us suppose that you also have a book that you want to read. The book consists of language written by someone for the sake of communicating something to you. Your success in reading it is determined by the extent to which you receive everything the writer intended to communicate.
That, of course, is too simple. The reason is that there are two possible relations between your mind and the book, not just one. These two relations are exemplified by two different experiences that you can have in reading your book.
There is the book; and here is your mind. As you go through the pages, either you understand perfectly everything the author has to say or you do not. If you do, you may have gained information, but you could not have increased your understanding. If the book is completely intelligible to you from start to finish, then the author and you are as two minds in the same mold. The symbols on the page merely express the common understanding you had before you met.
Let us take our second alternative. You do not understand the book perfectly. Let us even assume -- what unhappily is not always true -- that you understand enough to know that you do not understand it all. You know the book has more to say than you understand and hence that it contains something that can increase your understanding.
What do you do then? You can take the book to someone else who, you think, can read better than you, and have him explain the parts that trouble you. ("He" may be a living person or another book -- a commentary or textbook. ) Or you may decide that what is over your head is not worth bothering about, that you understand enough. In either case, you are not doing the job of reading that the book requires.
That is done in only one way. Without external help of any sort, you go to work on the book. With nothing but the power of your own mind, you operate on the symbols before you in such a way that you gradually lift yourself from a state of understanding less to one of understanding more. Such elevation, accomplished by the mind working on a book, is highly skilled reading, the kind of reading that a book which challenges your understanding deserves.
Thus we can roughly define what we mean by the art of reading as follows: the process whereby a mind, with nothing to operate on but the symbols of the readable matter, and with no help from outside, elevates itself by the power of its own operations. The mind passes from understanding less to understanding more. The skilled operations that cause this to happen are the various acts that constitute the art of reading.
To pass from understanding less to understanding more by your own intellectual effort in reading is something like pulling yourself up by your bootstraps. It certainly feels that way. It is a major exertion. Obviously, it is a more active kind of reading than you have done before, entailing not only more varied activity but also much more skill in the performance of the various acts required. Obviously, too, the things that are usually regarded as more difficult to read, and hence as only for the better reader, are those that are more likely to deserve and demand this kind of reading.
The distinction between reading for information and reading for understanding is deeper than this. Let us try to say more about it. We will have to consider both goals of reading because the line between what is readable in one way and what must be read in the other is often hazy. To the extent that we can keep these two goals of reading distinct, we can employ the word "reading" in two distinct senses.
The first sense is the one in which we speak of ourselves as reading newspapers, magazines, or anything else that, according to our skill and talents, is at once thoroughly intelligible to us. Such things may increase our store of information, but they cannot improve our understanding, for our understanding was equal to them before we started. Otherwise, we would have felt the shock of puzzlement and perplexity that comes from getting in over our depth - that is, if we were both alert and honest.
The second sense is the one in which a person tries to read something that at first he does not completely understand. Here the thing to be read is initially better or higher than the reader. The writer is communicating something that can increase the reader's understanding. Such communication between unequals must be possible, or else one person could never learn from another, either through speech or writing. Here by "learning" is meant understanding more, not remembering more information that has the same degree of intelligibility as other information you already possess.
There is clearly no difficulty of an intellectual sort about gaining new information in the course of reading if the new facts are of the same sort as those you already know. A person who knows some of the facts of American history and understands them in a certain light can readily acquire by reading, in the first sense, more such facts and understand them in the same light. But suppose he is reading a history that seeks not merely to give him some more facts but also to throw a new and perhaps more revealing light on all the facts he knows. Suppose there is greater understanding available here than he possessed before he started to read. If he can manage to acquire that greater understanding, he is reading in the second sense. He has indeed elevated himself by his activity, though indirectly, of course, the elevation was made possible by the writer who had something to teach him.
What are the conditions under which this kind of reading -- reading for understanding -- takes place? There are two. First, there is initial inequality in understanding. The writer must be "superior" to the reader in understanding, and his book must convey in readable form the insights he possesses and his potential readers lack. Second, the reader must be able to overcome this inequality in some degree, seldom perhaps fully, but always approaching equality with the writer. To the extent that equality is approached, clarity of communication is achieved.
In short, we can learn only from our "betters." We must know who they are and how to learn from them. The person who has this sort of knowledge possesses the art of reading in the sense with which we are especially concerned in this book. Everyone who can read at all probably has some ability to read in this way. But all of us, without exception, can learn to read better and gradually gain more by our efforts through applying them to more rewarding materials.
We do not want to give the impression that facts, leading to increased information, and insights, leading to increased understanding, are always easy to distinguish. And we would admit that sometimes a mere recital of facts can itself lead to greater understanding. The point we want to emphasize here is that this book is about the art of reading for the sake of increased understanding. Fortunately, if you learn to do that, reading for information will usually take care of itself.
Of course, there is still another goal of reading, besides gaining information and understanding, and that is entertainment. However, this book will not be much concerned with reading for entertainment. It is the least demanding kind of reading, and it requires the least amount of effort. Furthermore, there are no rules for it. Everyone who knows how to read at all can read for entertainment if he wants to.
In fact, any book that can be read for understanding or information can probably be read for entertainment as well, just as a book that is capable of increasing our understanding can also be read purely for the information it contains. (This proposition cannot be reversed: it is not true that every book that can be read for entertainment can also be read for understanding. ) Nor do we wish to urge you never to read a good book for entertainment. The point is, if you wish to read a good book for understanding, we believe we can help you. Our subject, then, is the art of reading good books when understanding is the aim you have in view.
Reading as Learning:
The Difference Between Learning by Instruction and Learning by Discovery
Getting more information is learning, and so is coming to understand what you did not understand before. But there is an important difference between these two kinds of learning.
To be informed is to know simply that something is the case. To be enlightened is to know, in addition, what it is all about: why it is the case, what its connections are with other facts, in what respects it is the same, in what respects it is different, and so forth.
This distinction is familiar in terms of the differences between being able to remember something and being able to explain it. if you remember what an author says, you have learned something from reading him. If what he says is true, you have even learned something about the world. But whether it is a fact about the book or a fact about the world that you have learned, you have gained nothing but information if you have exercised only your memory. You have not been enlightened. Enlightenment is achieved only when, in addition to knowing what an author says, you know what he means and why he says it.
It is true, of course, that you should be able to remember what the author said as well as know what he meant. Being informed is prerequisite to being enlightened. The point, however, is not to stop at being informed.
Montaigne speaks of "an abecedarian ignorance that precedes knowledge, and a doctoral ignorance that comes after it." The first is the ignorance of those who, not knowing their ABC's, cannot read at all. The second is the ignorance of those who have misread many books. They are, as Alexander Pope rightly calls them, bookful blockheads, ignorantly read. There have always been literate ignoramuses who have read too widely and not well. The Greeks had a name for such a mixture of learning and folly which might be applied to the bookish but poorly read of all ages. They are all sophomores.
To avoid this error -- the error of assuming that to be widely read and to be well-read are the same thing -- we must consider a certain distinction in types of learning. This distinction has a significant bearing on the whole business of reading and its relation to education generally.
In the history of education, men have often distinguished between learning by instruction and learning by discovery. Instruction occurs when one person teaches another through speech or writing. We can, however, gain knowledge without being taught. If this were not the case, and every teacher had to be taught what he in turn teaches others, there would be no beginning in the acquisition of knowledge. Hence, there must be discovery -- the process of learning something by research, by investigation, or by reflection, without being taught.
Discovery stands to instruction as learning without a teacher stands to learning through the help of one. In both cases, the activity of learning goes on in the one who learns. It would be a mistake to suppose that discovery is active learning and instruction passive. There is no inactive learning, just as there is no inactive reading.
This is so true, in fact, that a better way to make the distinction clear is to call instruction "aided discovery." Without going into learning theory as psychologists conceive it, it is obvious that teaching is a very special art, sharing with only two other arts -- agriculture and medicine -- an exceptionally important characteristic. A doctor may do many things for his patient, but in the final analysis it is the patient himself who must get well -- grow in health. The farmer does many things for his plants or animals, but in the final analysis it is they that must grow in size and excellence. Similarly, although the teacher may help his student in many ways, it is the student himself who must do the learning. Knowledge must grow in his mind if learning is to take place.
The difference between learning by instruction and learning by discovery -- or, as we would prefer to say, between aided and unaided discovery -- is primarily a difference in the materials on which the learner works. When he is being instructed -- discovering with the help of a teacher -- the learner acts on something communicated to him. He performs operations on discourse, written or oral. He learns by acts of reading or listening. Note here the close relation between reading and listening. If we ignore the minor differences between these two ways of receiving communication, we can say that reading and listening are the same art -- the art of being taught. When, however, the learner proceeds without the help of any sort of teacher, the operations of learning are performed on nature or the world rather than on discourse. The rules of such learning constitute the art of unaided discovery. If we use the word "reading" loosely, we can say that discovery -- strictly, unaided discovery -- is the art of reading nature or the world, as instruction (being taught, or aided discovery) is the art of reading books or, to include listening, of learning from discourse.
What about thinking? If by "thinking" we mean the use of our minds to gain knowledge or understanding, and if learning by discovery and learning by instruction exhaust the ways of gaining knowledge, then thinking must take place during both of these two activities. We must think in the course of reading and listening, just as we must think in the course of research. Naturally, the kinds of thinking are different -- as different as the two ways of learning are.
The reason why many people regard thinking as more closely associated with research and unaided discovery than with being taught is that they suppose reading and listening to be relatively effortless. It is probably true that one does less thinking when one reads for information or entertainment than when one is undertaking to discover something. Those are the less active sorts of reading. But it is not true of the more active reading -- the effort to understand. No one who has done this sort of reading would say it can be done thoughtlessly.
Thinking is only one part of the activity of learning. One must also use one's senses and imagination. One must observe, and remember, and construct imaginatively what cannot be observed. There is, again, a tendency to stress the role of these activities in the process of unaided discovery and to forget or minimize their place in the process of being taught through reading or listening. For example, many people assume that though a poet must use his imagination in writing a poem, they do not have to use their imagination in reading it. The art of reading, in short, includes all of the same skills that are involved in the art of unaided discovery: keenness of observation, readily available memory, range of imagination, and, of course, an intellect trained in analysis and reflection. The reason for this is that reading in this sense is discovery, too -- although with help instead of without it.
Present and Absent Teachers
We have been proceeding as if reading and listening could both be treated as learning from teachers. To some extent that is true. Both are ways of being instructed, and for both one must be skilled in the art of being taught. Listening to a course of lectures, for example, is in many respects like reading a book; and listening to a poem is like reading it. Many of the rules to be formulated in this book apply to such experiences. Yet there is good reason to place primary emphasis on reading, and let listening become a secondary concern. The reason is that listening is learning from a teacher who is present -- a living teacher -- while reading is learning from one who is absent.
If you ask a living teacher a question, he will probably answer you. If you are puzzled by what he says, you can save yourself the trouble of thinking by asking him what he means. If, however, you ask a book a question, you must answer it yourself. In this respect a book is like nature or the world. When you question it, it answers you only to the extent that you do the work of thinking and analysis yourself.
This does not mean, of course, that if the living teacher answers your question, you have no further work. That is so only if the question is simply one of fact. But if you are seeking an explanation, you have to understand it or nothing has been explained to you. Nevertheless, with the living teacher available to you, you are given a lift in the direction of understanding him, as you are not when the teacher's words in a book are all you have to go by.
Students in school often read difficult books with the help and guidance of teachers. But for those of us who are not in school, and indeed also for those of us who are when we try to read books that are not required or assigned, our continuing education depends mainly on books alone, read without a teacher's help. Therefore if we are disposed to go on learning and discovering, we must know how to make books teach us well. That, indeed, is the primary goal of this book.
Copyright © 1972 by Mortimer J. Adler and Charles Van Doren
Product details
- Publisher : Touchstone
- Publication date : August 15, 1972
- Edition : Revised
- Language : English
- Print length : 426 pages
- ISBN-10 : 0671212095
- ISBN-13 : 978-0671212094
- Item Weight : 12.8 ounces
- Dimensions : 5.31 x 1.12 x 8.25 inches
- Best Sellers Rank: #4,109 in Books (See Top 100 in Books)
- Customer Reviews:
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About the authors
Mortimer Jerome Adler (December 28, 1902 - June 28, 2001) was an American philosopher, educator, and popular author. As a philosopher he worked within the Aristotelian and Thomistic traditions. He lived for the longest stretches in New York City, Chicago, San Francisco, and San Mateo. He worked for Columbia University, the University of Chicago, Encyclopædia Britannica, and Adler's own Institute for Philosophical Research. Adler was married twice and had four children.
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Customers find the book effective at improving reading comprehension, particularly at the most demanding level, and appreciate its educational value in helping them get the most out of books. Moreover, the content is well-organized and covers various types of books, with one customer noting how it introduces different approaches based on book type and subject. However, the book receives mixed feedback about its sturdiness, with some finding it dated, and customers express concerns about its length, describing it as incredibly long and too lengthy for the topic. Additionally, several customers find it tiresome and boring to read.
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Customers find the book difficult to read, describing it as tiresome, boring, and rambling, with one customer noting it makes heavy demands on the reader.
"...given a limited time, then analytical reading is the best and most complete reading that is possible given unlimited time...On this level of reading..." Read more
"...a book, X-raying a book, coming to terms with an author, determining an author's message, criticizing a book fairly, agreeing or disagreeing with an..." Read more
"...first one provides a fascinating list of great books — the “endlessly readable” books. The list may seem overwhelming at first glance (and it is!),..." Read more
"...comprehension quiz in the appendix, there is also a list of quality authors and texts, which will no doubt be met either with great excitement or..." Read more
Customers find the book educational, helping them get the most out of reading materials and develop their minds.
"...reading that is possible given a limited time, then analytical reading is the best and most complete reading that is possible given unlimited time......" Read more
"...From practical books to imaginative literature, history to science and mathematics, and a few more, this section adapts the four questions that must..." Read more
"...Part 3 is useful in that it provides some interesting aspects of specific types of reading material, namely practical books, history..." Read more
"...of this book is probably due to the fact that it encourages it readers to become active and responsive readers, critical but also receptive to books..." Read more
Customers appreciate the book's approach to reading speed, describing it as efficient and faster, with one customer noting its special emphasis on time management.
"...It is characterized by its special emphasis on time When reading at this level, the student is allowed a set time to complete an assigned amount of..." Read more
"...reading, through systematic skimming and inspectional reading, to speed reading...." Read more
"...It is a practical book that deserves a slow read. It goes without saying that it should be required of all college students...." Read more
"...It is a very slow read, as the pertinent information is buried inside sections...." Read more
Customers appreciate the book's clear organization, with one customer noting how the layout facilitates following themes.
"...How to Read a Book is also remarkable for its unapologetic modernism. Books are things to be understood...." Read more
"...It is helpfully organized, with its first part dealing with the dimensions of reading, which examine the first two levels of reading..." Read more
"...The book is well organised and very easy to read...." Read more
"...They lay out in great detail the four levels of reading as elementary (word, sentence, and paragraph recognition, vocabulary development),..." Read more
Customers appreciate the content of the book, which is well-organized with separate sections for different types of books, and one customer notes it covers almost all main genres.
"...It was quite interesting for me to consider various types of books and reflect on my reading history and consider what I would truly like to spend..." Read more
"...This is a fantastic topic, which the authors have materialised in their greatest contribution to mankind, in my opinion — the Syntopicon, volumes II..." Read more
"...The book is divided into 4 parts, and each part discusses various skills and approaches to reading...." Read more
"...Along the way are great thoughts on peripheral topics, like speed-reading (spoiler: it completely misses the point), and the difference between..." Read more
Customers have mixed opinions about the book's sturdiness, with some noting it was in excellent condition upon arrival, while others point out that it was written in 1940 and feels somewhat dated.
"...The book was originally published in 1940, and the most recent edition was published (with updated and timely content) in 1972...." Read more
"...It is a dry read. It is an older book (when the authors refer to other writers or readers, it is always masculine; “he…”)...." Read more
"...readers, critical but also receptive to books and seekers of books of quality where they may be found...." Read more
"The book arrived in perfect mint condition; all pages and the cover/binder are intact, with no defects...." Read more
Customers find the book's length problematic, describing it as incredibly long and far too lengthy for the topic.
"...Some of the chapters are lengthy and may require sometime to get to the parts that you really need...." Read more
"...It reads like a text book, and is way too long. Like the author needed to hit a minimum page count by the publisher or something...." Read more
"...However, I think the content could take fewer pages as sometimes the arguments are too winding...." Read more
"...It is long because for each step of the process, the author explains they step, why it is important, how it fits in the whole process, and provides..." Read more
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Don’t Let the Title Fool You—This Book is a Game Changer!
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- Reviewed in the United States on February 22, 2014Below are key excerpts from the book that I found particularly insightful:
1- "Perhaps we know more about the world than we used to. and insofar as knowledge is prerequisite to understanding, that is all to the good. But knowledge is not as much a prerequisite to understanding as is commonly supposed. We do not have to know everything about something in order to understand it; too many facts are often as much of an obstacle to understanding as too few. There is a sense in which we moderns are inundated with facts to the detriment of understanding."
2- "Thinking is only one part of the activity of learning. One must also use one's senses and imagination. One must observe, and remember, and construct imaginatively what cannot be observed. There is, again, a tendency to stress the role of these activities in the process of unaided discovery and to forget or minimize their place in the process of being taught through reading or listening. For example, many people assume that though a poet must use his imagination in writing a poem they do not have to use their imagination in reading it. The art of reading, in short, includes all of the same skills that are involved in the art of unaided discovery: keenness of observation, readily available memory, range of imagination, and, of course, an intellect trained in analysis and reflection. The reason for this is that reading in this sense is discovery, too— although with help instead of without it."
3- "The first level of reading we will call Elementary Reading. Other names might be rudimentary reading, basic reading or initial reading; any one of these terms serves to suggest that as one masters this level one passes from nonliteracy to at least beginning literacy. In mastering this level, one learns the rudiments of the art of reading, receives basic training in reading, and acquires initial reading skills. We prefer the name elementary reading, however, because this level of reading is ordinarily learned in elementary school...At this level of reading, the question asked of the reader is "What does the sentence say?" That could be conceived as a complex and difficult question, of course. We mean it here, however, in its simplest sense."
4- "The second level of reading we will call Inspectional Reading. It is characterized by its special emphasis on time When reading at this level, the student is allowed a set time to complete an assigned amount of reading. He might be allowed fifteen minutes to read this book, for instance or even a book twice as long...Whereas the question that is asked at the first level is "What does the sentence say?" the question typically asked at this level is "What is the book about?" That is a surface question; others of a similar nature are "What is the structure of the book or "What are its parts?""
5- "The third level of reading we will call Analytical Reading. It is both a more complex and a more systematic activity than either of the two levels of reading discussed so far. Depending on the difficulty of the text to be read, it makes more or less heavy demands on the reader. Analytical reading is thorough reading, complete reading. or good reading—the best reading you can do. If inspectional reading is the best and most complete reading that is possible given a limited time, then analytical reading is the best and most complete reading that is possible given unlimited time...On this level of reading, the reader grasps a book—the metaphor is apt—and works at it until the book becomes his own. Francis Bacon once remarked that "some books are to be tasted, others to be swallowed, and some few to be chewed and digested." Reading a book analytically is chewing and digesting it."
6- "The fourth and highest level of reading we will call Syntopical Reading. It is the most complex and systematic type of reading of all. It makes very heavy demands on the reader, even if the materials he is reading are themselves relatively easy and unsophisticated. Another name for this level might be comparative reading. When reading syntopically, the reader reads many books, not just one, and places them in relation to one another and to a subject about which they all revolve. But mere comparison of texts is not enough. Syntopical reading involves more. With the help of the books read, the svntopical reader is able to construct an analysis of the subject that may not be in any of he hooks. It is obvious, therefore, that syntopical reading is the most active and effortful kind of reading."
7- "Every book should be read no more slowly than it deserves, and no more quickly than you can read it with satisfaction and comprehension. In any event, the speed at which they read, be it fast or slow, is but a fractional part of most people's problem with reading. Skimming or pre-reading a book is always a good idea; it is necessary when you do not know, as is often the case, whether the book you have in hand is worth reading carefully. You will find that out by skimming it. It is generally desirable to skim even a book that you intend to read carefully, to get some idea of its form and structure."
8- "The first stage of inspectional reading-the stage we have called systematic skimming—serves to prepare the analytical reader to answer the questions that must be asked during the first stage of that level. Systematic skimming, in other words. anticipates the comprehension of a book's structure. And the second stage of inspectional reading—the stage we have called superficial reading—serves the reader when he comes to the second stage of reading at the analytical level. Superficial reading is the first necessary step in the interpretation of a book's contents."
9- "The art of reading on any level above the elementary consists in the habit of asking the right questions in the right order. There are four main questions you must ask about any book. 1. What is the book about as a whole?...2. What is being said in detail, and how?...Is the book true, in whole or part? WHAT OF IT? If the book has given you information. you must ask about its significance. Why does the author think it is important to know these things? Is it important to you to know them? And if the book has not only informed you, but also enlightened you, it is necessary to seek further enlightenment by asking what else follows, what is further implied or suggested."
10- "It is hard to learn to read well. Not only is reading, especially analytical reading, a very complex activity-much more complex than skiing; it is also much more of a mental activity. The beginning skier must think of physical acts that he can later forget and perform almost automatically. It is relatively easy to think of and be conscious of physical acts. It is much harder to think of mental acts, as the beginning analytical reader must do; in a sense, he is thinking about his own thoughts. Most of us are unaccustomed to doing this. Nevertheless, it can be done, and a person who does it cannot help learning to read much better."
11- "Teachability is often confused with subservience. A person is wrongly thought to be teachable if he is passive and pliable. On the contrary, teachability is an extremely active virtue. No one is really teachable who does not freely exercise his power of independent judgment. He can be trained, perhaps, but not taught. The most teachable reader is, therefore, the most critical. He is the reader who finally responds to a book by the greatest effort to make up his own mind on the matters the author has discussed."
12- "The First Stage of Analytical Reading: Rules for Finding What a Book Is About 1. Classify the book according to kind and subject matter. 2. State what the whole book is about with the utmost brevity. 3. Enumerate its major parts in their order and relation and outline these parts as you have outlined the whole. 4. Define the problem or problems the author has tried to solve. The Second Stage of Analytical Reading: Rules for Interpreting a Book's Contents 5. Come to terms with the author by interpreting his key words. 6. Grasp the author's leading propositions by dealing with ^is most important sentences. 7. Know the author's arguments, by finding them in, or constructing them out of, sequences of sentences. 8. Determine which of his problems the author has solved. and which he has not; and of the latter, decide which the author knew he had failed to solve. The Third Stage of Analytical Reading: Rules for Criticizing a Book as a Communication of Knowledge A. General Maxims of Intellectual Etiquette 9. Do not begin criticism until you have completed your outline and your interpretation of the book. (Do not say you agree, disagree, or suspend judgment, until you can say 1 understand.") 10. Do not disagree disputatiously or contentiously. 11. Demonstrate that you recognize the difference between knowledge and mere personal opinion by presenting good reasons for any critical judgment you make. B. Special Criteria for Points of Criticism 12. Show wherein the author is uninformed. 13. Show wherein the author is misinformed. 14. Show wherein the author is illogical. 15. Show wherein the author's analysis or account is incomplete. Note: Of these last four, the first three are criteria for disagreement. Failing in all of these, you must agree, at least in part, although you may suspend judgment on the whole, in the light of the last point."
13- " Few people have ever read any book in this ideal manner, and those who have, probably read very few books this way. The ideal remains, however, the measure of achievement. You are a good reader to the degree in which you approximate it."
14- "The great writers have always been great readers, but that does not mean that they read all the books that, in their day, were listed as the indispensable ones. In many cases, they read fewer books than are now required in most of our colleges, but what they did read, they read well. Because they had mastered these books, they became peers with their authors. They were entitled to become authorities in their own right. In the natural course of events, a good student frequently becomes a teacher, and so, too, a good reader becomes an author. Our intention here is not to lead you from reading to writing. It is rather to remind you that one approaches the ideal of good reading by applying the rules we have described in the reading of a single book, and not by trying? to become superficially acquainted with a larger number. There are, of course, many books worth reading well. There is a much larger number that should be only inspected. To become well-read, in every sense of the word, one must know how to use whatever skill one possesses with discrimination—by reading every book according to its merits."
15- "History is the story of what led up to now. It is the present that interests us—that and the future. The future will be partly determined by the present. Thus, you can learn something about the future, too, from a historian, even from one who like Thucydides lived more than two thousand years ago. Let us sum up these two suggestions for reading history. The first is: if you can, read more than one history of an event or period that interests you. The second is: read a history not only to learn what really happened at a particular time and place in the past, but also to learn the way men act in all times and places, especially now."
16- "Thus the most important thing to know, when reading any report of current happenings, is who is writing the report. What is involved here is not so much an acquaintance with the reporter himself as with the kind of mind he has. The various sorts of filter-reporters fall into groups. To understand what kind of filter our reporter's mind is, we must ask a series of questions about it. This amounts to asking a series of questions about it. This amounts to asking a series of questions about any material dealing with current events. The questions are these: 1. What does the author want to prove? 2. Whom does he want to convince? 3. What special knowledge does he assume? 4. What Special language does he use? 5. Does he really know what he is talking about?"
17- "A curious paradox is involved in any project of syntopical reading. Although this level of reading is defined as the reading of two or more books on the same subject, which implies that the identification of the subject matter occurs before the reading begins, it is in a s sense true that the identification of the subject matter must follow the reading, not precede it. In the case of love, you might have to read a dozen or a hundred works before you could decide what you were reading about. And when you had done that, you might have to conclude that half of the works you had read were not on the subject at all."
18- "As we have seen, there are two main stages of syntopical reading. One is preparatory, and the other is syntopical reading proper. Let us write out all of these steps for review.
I. Surveying the Field Preparatory to Syntopical Reading 1. Create a tentative bibliography of your subject by recourse to library, catalogues, advisors, and bibliographies in books. 2. Inspect all of the books on the tentative bibliography to ascertain which are germane to your subject, and also to acquire a clearer idea of the subject. These two steps are not, strictly speaking, chronologically distinct; that is, the two steps have an effect on each other, with the second, in particular, serving to modify the first.
II. Syntopical Reading of the Bibliography Amassed in Stage I 1. Inspect the books already identified as relevant to your subject in Stage I in order to find the most relevant passages. 2. Bring the authors to terms by constructing a neutral terminology of the subject that all, or the great majority, of the authors can be interpreted as employing, whether they actually employ the words or not. 3. Establish a set of neutral propositions for all of the authors by framing a set of questions to which all or most of the authors can be interpreted as giving answers, whether they actually treat the questions explicitly or not. 4. Define the issues, both major and minor ones, by ranging the opposing answers of authors to the various questions on one side of an issue or another. You should remember that an issue does not always exist explicitly between or among authors, but that it sometimes has to be constructed by interpretation of the authors' views on matters that may not have been their primary concern. 5. Analyze the discussion by ordering the questions and issues in such a way as to throw maximum light on the subject. More general issues should precede less general ones, and relations among issues should be clearly indicated. Note: Dialectical detachment or objectivity should, ideally. be maintained throughout. One way to insure this is always to accompany an interpretation of an author's views on an issue with an actual quotation from his text."
19- "If the book belongs to the second class of books to which we referred before, you find, on returning to it, that there was less there than you remembered. The reason, of course, is that yourself have grown in the meantime. Your mind is fuller. your understanding greater. The book has not changed, but you have. Such a return is inevitably disappointing. But ff the book belongs to the highest class—the very small number of inexhaustible books-you discover on returning that the hook seems to have grown with you. You see new things in it-whole sets of new things—that you did not see before. Your previous understanding of the book is not invalidated (assuming that you read it well the first time); it is just as true as it ever was, and in the same ways that it was true before. But now it is true in still other ways, too."
20- "Reading well, which means reading actively, is thus not only a good in itself, nor is it merely a means to advancement in our work or career. It also serves to keep our minds alive and growing."
- Reviewed in the United States on January 14, 2016Reading is something many people find valuable, whether it be for recreation or education—most people in today's world know how to read. Loads of people are likely satisfied with their current reading abilities, and perhaps even more do not have any intention to increase the amount of reading nor the intensify the difficulty of the books that they choose to read. In fact, many people have the ability to read but simply choose to not exercise it. However, for those of us who enjoy reading and wish to improve our reading skills, I cannot recommend How to Read a Book: The Classic Guide to Intelligent Reading highly enough.
The book was originally published in 1940, and the most recent edition was published (with updated and timely content) in 1972. It aims to provide a guide for comprehensive reading for the general reader—"from elementary reading, through systematic skimming and inspectional reading, to speed reading. You learn how to pigeonhole a book, X-ray it, extract the author's message, criticize. You are taught the different reading techniques for reading practical books, imaginative literature, plays, poetry, history, science and mathematics, philosophy and social science." (From the publisher's blurb.)
The authors, Mortimer J. Adler and Charles Van Doren, introduce the concept of four levels of reading: elementary reading, inspectional reading, analytical reading, and syntopical reading. The levels are cumulative, which means that each gradation includes the techniques and skills of the lower levels.
Elementary reading is essentially the baseline ability to read that is taught at the pre-school/kindergarten, elementary and junior high school levels. These reading skills include reading readiness, word mastery, vocabulary growth and the utilization of context, and the ability to read almost anything (albeit in a relatively unsophisticated manner). This is the level of reading that perhaps the majority of the population has achieved. What is truly outstanding about reading is that once one has developed the elementary reading skills, she can teach herself to learn the skills involved with the higher levels of reading.
Inspectional reading involves two main concepts: systematic skimming or pre-reading, and superficial reading. Skimming or pre-reading involves looking at a book's title page, preface, table of contents, index, publisher's blurb, apparently-pivotal chapters, and true skimming of its content. Superficial reading is comprised of trudging through a book's content in its entirety for the first time, without ever stopping to look up or ponder the things that one does not understand right away. At this point in reading a book, one should start asking herself the four basic questions of reading:
What is the book about as a whole?
What is being said in detail, and how?
Is the book true, in whole or part?
What of it?
These questions are thoroughly fleshed out in the book, and I do not wish to focus too much on them in this review. It would be much better for you to check out this book for yourself, although I must warn you that to read it honestly is more like working through a workbook than an easy read. It takes a fair amount of effort on the part of the reader, but she is handsomely rewarded at the end of her journey.
Moving on, the book discusses note-taking techniques, which were very lacking in my own personal wheelhouse—it had been since my days at university that I regularly took notes in books, and even then, I didn't have an efficient education that demonstrated how to mark a book so that I would increase my level of understanding and retention. However, How to Read a Book certainly fills in where my formal education was lacking in this department. Even this brief section alone was worth reading the entire book, for me.
The next section of the book—the main bulk of it, in fact—covers the third level of reading: analytical reading. This part is incredibly valuable for readers wishing to improve their overall skill set, including full chapters on the following topics: pigeonholing a book, X-raying a book, coming to terms with an author, determining an author's message, criticizing a book fairly, agreeing or disagreeing with an author, and aids to reading. Again, I do not intend this review to fully explore the book's contents, and will leave it at that.
Following the section covering analytical reading, the authors explore another tangent: the various ways to approach different types of reading matter. From practical books to imaginative literature, history to science and mathematics, and a few more, this section adapts the four questions that must be asked when reading anything so that they are more applicable to specific types of reading. It was quite interesting for me to consider various types of books and reflect on my reading history and consider what I would truly like to spend my time reading in the future. The final chapter in this section discussed the reading of social science, which often requires reading multiple books about a topic. Because that is essentially the concept behind syntopical reading, it serves as a perfect segue into the next section of the book.
The final section of the book, "The Ultimate Goals of Reading", focuses on syntopical reading and the concept of reading and the growth of the mind. Syntopical reading is truly an interesting concept for me. It involves creating a tentative bibliography (generally including hundreds of books) of a central subject, quickly inspecting each book, re-inspecting all of the books that are specifically pertinent to the topic to identify the relevant passages within, creating a neutral terminology that can be used to discuss the opinions of multiple authors, establishing a set of neutral propositions by framing a set of questions to ask each author, defining the major and minor issues and assigning authors to the various sides of each issue, and providing an analysis of the discussion of the topic. This is a highly-advanced level of reading that one would embark on to do true work in a field, with the hope of providing an unheard analysis of a topic's discussion that many authors have participated in over time. It is possible that one's syntopical reading of a topic could culminate in a book that would push the discussion of a topic even further—in fact, this is indeed often the ultimate goal. The final chapter of the book offers a recap of the previous sections and discusses what good books can do for us, the various classes of books (with regard to what one can get out of reading and re-reading them), and the growth of the mind.
There are two appendices included, the first being an extremely valuable "Recommended Reading List". I must admit that this list makes my mouth salivate in anticipation of many more years of reading excellent books and the possibility of furthering my personal reading ability. The second appendix includes exercises and tests at the various four levels of reading. This is the one section of the book that I have yet to read—I may choose to explore these exercises in the future, although it will involve reading several other books from the aforementioned reading list, so it is likely to be a longterm project.
Overall, this is one of the best books I have read in the past several years. I am confident that the advice contained within it will help me improve my reading skills while simultaneously increasing the level of enjoyment that I get out of my reading practice. I must admit that when I first started reading the book, I was a bit disappointed that it is heavily biased toward non-fiction reading, when in the past I have reaped so much enjoyment from reading fiction. However, the skills that I have learned from How to Read a Book will only serve to improve my relation to non-fiction books, something that has been somewhat lacking for me previously. This is one book that I do plan on working with further in the future, whether it is simply picking it up from time to time to skim through the notes I took on its pages, choosing my next book from its impressive reading list, or working through the second appendix's reading exercises and tests.
5/5 stars. 424 pages.
Top reviews from other countries
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eggmanReviewed in Japan on July 9, 2021
5.0 out of 5 stars 緩急を付けよ
大学院生の時に英語版で読みました。その後外山先生翻訳の日本語版も読みましたが、なんか雰囲気が違うなと思ってこちらに戻っています。
そんなに難しい単語が頻出するわけでもなく、またこの本でまさに言っている通り重要なところ(所々話がまとまってる箇所や、イタリックで強調されている部分)を読めば、そんなに英語力が無くても言わんとしてる事は分かると思います。
本を読むにも読み方がある。読み方にも4つのレベルがある。この本を読む前の自分はどの本も最初から最後までバカ真面目に読む、というものでしたが、この本を読んで、特にinspectional readingの必要性を知ってからは、本当に読書の効率が上がりました。(読むのが上手くなると、書くのもつられて上手くなっていくのは本当に嬉しいことです)
本を読む、それも効率的に読む必要がある人には良書だと思います。オススメです。
- FRANCISCO COELHO DOS SANTOSReviewed in Brazil on May 13, 2025
5.0 out of 5 stars well-founded
The only modern book that will actually make you get something out of a book
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CraxxleReviewed in Germany on May 17, 2018
5.0 out of 5 stars Bringt das Lesen auf ein neues Level
Dieses spezielle Buch richtet sich vorrangig an solche Leser, die aus Büchern lernen wollen. Es bietet eine klar strukturierte Herangehensweise an das Lernen aus Büchern, dir mir seitdem sehr hilft möglichst viel aus Sachbüchern o.ä. mitzunehmen. Dabei wird zunächst eine grundsätzliche Unterscheidung der Arten des Lesens (zur Unterhalten, zum Lernen, ...) vorgenommen und sich später auf eine fokussierte Auseinandersetzung mit dem analytischen Lesen konzentriert.
Für mein Studium weiterer Bücher hat mir die hier dargestellte Vorgehensweise enorm geholfen und ich nehme mittlerweile viel mehr Wissen mit als vorher. Persönliche Vorlieben beim Lesen bzw. durcharbeiten von Büchern sind dabei natürlich und die Autoren geben hier ein anpassbares Grundkonzept, dass ich für sehr gelungen halte. Ich vermute, dass jeder der gerne und viel liest sich aus diesem Buch hilfreiche Aspekte aneignen kann und das persönliche Lesen nachhaltig verbessern kann.
Einige Passagen des Buches sind sehr ausführlich und könnten im Kern sicherlich gekürzt werden. Teil der Lehre des Autors ist allerdings auch eine persönliche, nach den eigenen Interessen gerichtete Auseinandersetzung mit Büchern, die dazu einlädt bestimmte Kapitel oder Bücher nur sehr schnell oder oberflächlich zu lesen, wenn dies für die eigenen Belange ausreicht. So habe ich beispielsweise den dritten Teil des Buches, in der spezielle Tipps für verschiedene Lesequellen (Sachbuch, Drama, Roman, Philosophie, ...) gegeben werden, ausgespart und für später vorgemerkt, da dies für mich aktuell zweitrangig war.
Ich freue mich, wenn meine Rezension hilfreich für Sie war. Fragen beantworte ich soweit möglich gerne.
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Arnoud van VeenReviewed in the Netherlands on March 2, 2016
1.0 out of 5 stars Vaag en saai
Ik snap echt niet waarom dit product zoveel sterren heeft. Ik kom er nauwelijks doorheen (nu op de helft oid). Heb er wel een paar leuke punten uitgehaald maar het lijkt allemaal vooral opvulling.
- ousmane magatte kaneReviewed in France on July 18, 2014
5.0 out of 5 stars great job by adler and doren
This book it's like you are going to a specific place in ny (because let's suppose you have a Meeting or an interview), you have a car but you Don't have a GPS. You might miss the Meeting or the Interview because you keep looking for the place. This book is a GPS